Imprinted concrete patterns

Every imprinted concrete print and colour we offer, from ashlar slate and cobbles to timber effects and feature medallions. Compare them before your free survey.

At a glance

Best for
Driveways, patios and paths
Surface
One continuous reinforced slab, coloured, printed and sealed
Drainage
Not porous, so it is laid to fall to a channel drain or soakaway
Upkeep
Clean and reseal every few years to keep the colour rich

Stone and slate prints

Large slab prints give the look of natural stone or slate in one sealed surface.

7 options

Ashlar slate

Rectangular and square slate-textured slabs of mixed sizes in a running ashlar layout.

Large ashlar

Larger rectangular stone slabs in an ashlar layout with a light riven texture.

Grand ashlar

Very large flagstones with a fine riven texture for a broad, calm surface.

La Habra ashlar

Mixed rectangular stones with a soft, weathered texture.

York stone

Irregular rectangular flagstones with a natural riven texture.

Random stone

Irregular crazy-paving shaped stones for a rustic look.

Walkway slate

Long, narrow slate planks that suit paths and modern frontages.

Cobble prints

Cobble prints suit period homes and give a traditional, textured finish.

7 options

London cobble

Small square setts laid in straight rows.

Old English cobble

Rounded, irregular cobbles with an aged look.

Country cobble

Small rough cobbles in loose, informal rows.

Cheshire cobble

Medium rounded cobbles laid in courses.

European fan

Cobbles in overlapping fan-shaped arcs, a classic continental pattern.

Cobble circle

Cobbles in concentric circles, often used as a centrepiece.

Small circle

Small stones in tight concentric circles for a detailed feature.

Brick prints and borders

Brick prints echo block paving, and a contrasting border frames any of the prints above.

2 options

Herringbone brick

Brick-shaped impressions in a 90° herringbone pattern.

Brick border

A single-row brick-print border band that frames the main print.

More stone and cobble prints

Further prints, shown as examples on finished surfaces.

7 options

Porcelain stone

Large rectangular stone-effect slabs with crisp, modern lines.

Travertine

Rectangular travertine-effect stones with a soft, pitted texture.

Roman slate

An all-over slate texture without set joints, for a natural stone look.

California weave

Stone-effect shapes in a woven, geometric arrangement.

Belgian cobble

Square cobbles in a tight, repeating layout.

Lakeland cobble

Rounded, closely set cobbles in neat courses.

Old world slate cobble

An old-world cobble layout with a slate texture.

Timber-effect prints

Wood grain pressed into concrete, for decking looks that will not rot or splinter.

4 options

Reclaimed timber plank

Weathered plank grain in mixed board sizes.

Pacific boardwalk

Boardwalk grain with planks of different lengths.

Wood paver, running bond

End-grain wood blocks laid in staggered rows.

Wood paver, cobble

End-grain wood blocks in a cobble-style layout.

Feature medallions

A printed centrepiece for an entrance, a turning circle or a patio.

3 options

Compass circle

A compass motif set in a circle, often coloured to stand out.

Mariners medallion

A nautical anchor and compass medallion.

Sixteen-point star

A large star feature set into a stone print.

Greys and charcoals

Cool, modern tones that suit render, slate roofs and contemporary homes.

6 options

Charcoal

The darkest grey, close to black once sealed.

Slate grey

A deep blue-grey, like wet slate.

Steel grey

A strong mid to dark grey.

Platinum grey

A balanced mid grey with a warm hint.

Dove grey

A soft, pale grey.

Silver grey

The lightest grey, bright and fresh.

Buffs and sandstones

Warm stone shades that sit well with Bath stone, Cotswold stone and buff brick.

7 options

Rustic sandstone

A warm, golden sandstone.

Bideford buff

A classic mid buff.

Avon stone

A honeyed, golden stone.

Purbeck stone

An olive-tinted natural stone.

Biscuit

A soft, light brown.

Sandstone buff

A pale, creamy buff.

Steadman buff

A muted, greyish stone.

Reds and browns

Earthy tones that echo red brick, terracotta and older homes.

8 options

Brick red

A traditional brick red.

Terracotta

A soft, clay red.

Deep red

A rich, strong red.

Champagne pink

A muted, rosy pink.

Plum

A deep red-purple.

Mahogany

A dark red-brown.

Deep tan

A warm, deep brown.

Tudor brown

A mid brown with an aged feel.

Greens and blues

Stronger colours for patios, pool surrounds and garden features.

4 options

Slate green

A muted green-grey.

Lawn green

A soft garden green.

Slate blue

A dark, steely blue.

Pool blue

A bright blue, often used around pools.

Aftercare

Sealer protects the colour and the surface. Over a few years it wears, mostly where cars turn and brake, and a clean and reseal brings the finish back.

2 options

Before resealing

Faded imprinted concrete with dull, worn wheel tracks where the sealer has worn away.

After resealing

The same drive cleaned and resealed, with the colour restored and a subtle satin sheen.

Imprinted concrete or block paving

Both can give a stone, cobble or brick look. They are built and looked after quite differently.

Imprinted concreteBlock paving
SurfaceOne continuous slabIndividual blocks
WeedsNo joints for weeds to grow inJoints need weeding and re-sanding
RepairsA patch can look slightly differentSingle blocks lift out and go back
DrainageFalls to a channel or soakawayFalls to a drain, or permeable blocks
UpkeepClean and reseal every few yearsSweep, weed and top up sand

How it's built

The layers under the surface matter as much as the finish. Depths, drainage and reinforcement are set for each site at the survey.

How imprinted concrete is built, illustration of the layers

How imprinted concrete is built

A reinforced concrete slab is poured over a compacted stone sub-base, coloured, printed while still workable, then sealed. Slab depth, reinforcement, drainage and joints follow the specification for each site.

  1. Printed, coloured and sealed surface
  2. Reinforced concrete slab
  3. Compacted stone sub-base
  4. Prepared ground
The printed and sealed finish, illustration

The printed and sealed finish

A colour hardener sets the base tone, a darker release agent settles into the print to add depth, and a clear sealer protects the finish and brings out the colour.

Planned control joints, illustration

Planned control joints

Concrete moves slightly as it cures and with temperature. Straight joints are cut along the print lines so any movement happens there, neatly, rather than across the pattern.

Illustrations, not to scale. Layer depths and drainage are designed for each site.

Choosing well

A few things we talk through at every survey.

  1. Pick a print that suits the house

    Cobble and York stone prints suit period homes; large ashlar, porcelain and slate prints suit modern ones.

  2. Choose colours from a real sample

    Light, the release agent and the sealer all change the final colour. Look at a sample outside before you decide.

  3. Add a border

    A contrasting brick or cobble border frames the drive and gives a neat edge to the print.

  4. Plan for resealing

    Sealer wears, mostly where cars turn. A clean and reseal every few years keeps it looking new.

FAQ

Questions

Does imprinted concrete need maintenance?

It needs less than many surfaces, but the sealer wears over time. Cleaning and resealing every few years keeps the colour rich and the surface protected.

Will it crack?

Concrete moves slightly as it cures and with temperature, so straight control joints are cut to guide any movement along a neat line rather than across the pattern.

Can a damaged area be repaired?

Small areas can be repaired, but a patch can look slightly different in colour and texture from the surface around it. That is worth knowing when comparing it with block paving, where single blocks can be swapped.

Are these photos of driveways you have laid?

No. The print and colour images are illustrations made to show each option clearly, and the photos in the extra print sections are examples of each print on a finished surface. Photos of real driveways we have laid are in our recent work.

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